Conflict in scenes and tension between characters you’ve heard of before in writing. This time, we’ll talk about conflict in dialogue. Dialogue is the greatest way to portray conflict and tension in scenes and between characters. Argument and disagreements between even friends and allies helps to create sparkling dialogue. Click to Tweet #dazzlingdialogue #amwriting
That sagging middle––you know the place. It’s where your story bogs down, and you don’t know how to fix it. Today, we’ll look at The comedic scene, the setup scene, plus explain what kind of scene you should never write in the middle of your story. Keep them laughing with comedic tension and set-up the next conflict with more tension. Click to Tweet #keepmiddlemoving #amwriting
A successful objective met in a scene for the character should still lead to more trouble. Let the character stew about a negative outcome from the last scene. What are the emotions? Click to Tweet #keepmiddlemoving #amwriting
Last time, we talked about one way to keep the middle of your story from stagnating. Action and reaction, and the protagonist’s goal or objective. A major incident occurring in the middle of your story keeps it moving. How does it affect the protagonist? Click to Tweet #keepmiddlemoving #amwriting
You’ve heard of it––in more than one way. That awful, sagging, middle. In fiction, a sagging middle will bog down your story. Click to Tweet The reader may decide to stop reading. Not what you want. #keepmiddlemoving #amwriting
One of my resources for writers is James Scott Bell’s Plot and Structure. I read some of this book as part of my online writers classes. It’s very good, and covers a lot.
What I like about this book is that he has it laid out very well, and there graphs, tips, quotes, and at the end of each chapter is a set of writing exercises. That’s what makes this book practical. In his Introduction, Bell has six tips which explain what it takes to learn to plot. (from pages 3 – 5) In later posts at later times, we’ll skim through and see what Bell has to offer – or – you can get the book and read it yourself. I’m just going give you a taste of them.
Today’s Recommended Resource: James Scott Bell’s Plot and Structure. Everything you need to know about plotting out a masterpiece can be gotten from this book.
Example of an Exercise: “Go over the opening chapter of your work in progress (or write one now). What techniques will you use to grab the reader from the very first paragraph?”