They key to writing a page-turner novel is creating scintillating scenes––they shine, they’re dazzling, unforgettable, and brilliant. Writing sparkling scenes make the story something the reader can’t put down and will read long into the night. Click to Tweet #amwriting #scintillatingscenes We wrap this up with another scene model: reading scenes in context.
This time, we’ll look at tension and conflict from a different perspective, an uncommon and sometimes unconscious way of looking at it. We do it in our everyday lives, and it has the potential of creating peace or conflict––negotiation. Click to Tweet #amwriting #scintillatingscenes
It is understood that conflict is at the heart of out stories. It drives the action, forces character change, and keeps things interesting. But what if we thought about tension from a different perspective?
Last week, we learned that a scene is and has––action. Action is what happens. Every scene should have an impactful event that occurs during it. As the story progresses, each scene adds its contribution to the overall tale, to make an event. Scene events don’t always need to be spectacular, but must be meaningful and interesting, moving the story along. Click to Tweet #amwriting #scintillatingscenes Continue reading
I read somewhere that scenes are the “guts” of your novel. They are powerful and intense, they engage readers and help them to keep on reading. What is a scene? It is the most vivid and immediate part of the story, emotionally involved, their minds are filled with images and memories of actions. Click to Tweet #amwriting #scintillatingscenes
Simply put, a scene is action! Scenes are text passages, including narrative, meant to focus on an event in the story, sometimes slowing it down, so that the reader is “in the moment.” The readers join in the scene along with the characters in action.
You hear it more and more these days. Your manuscript must be “publish-ready” in order for it to be considered. Click to Tweet What does “publish-ready” mean? #amwriting #publish-ready #self-editing
For the next few blog posts, we’ll look at this and how you can improve your raw writing into something closer to “publish-ready.” I’ll be using several resources for this. Today’s resource is The Scene Book, by Sandra Scofield.
First, let’s take a look at what it means. Continue reading
Self-Editing for Fiction Writers
By Renni Browne & Dave King
I was recently in a small group of writers and we were discussing show and tell. Or should I say show vs. tell. The old way of writing was tell, describe, narrate. The new way of writing is scenes, show, illustrate with words. Show, don’t tell. Why? Click to Tweet #amwriting #showvtell #selfediting
The book covers everything from characterization, the story world, scenes, dialogue, and voice. Each chapter has a set of practical tools dealing with each section from that chapter. As an example, I’ll talk about Chapter Three, Scenes That Can’t Be Cut.