Last time, we talked about tension. Tension is the most necessary ingredient in any fiction you write. Click to tweet. Using Donald Maass’ The Fire in Fiction as a resource, we covered Tension in Dialogue, Tension in Action, and Tension in Exposition. Today, we’ll look at sprucing up low-tension scenes and avoiding the traps.
The book covers everything from characterization, the story world, scenes, dialogue, and voice. Each chapter has a set of practical tools dealing with each section from that chapter. As an example, I’ll talk about Chapter Three, Scenes That Can’t Be Cut.