To review: In our contemporary romance, Tovah has rejection issues, and Judah is a beta male who’s hiding something. They met at synagogue when Tovah’s homily papers flew right at Judah’s feet. She found him so attractive, she stuttered. Very unlike her, because she is usually an accomplished public speaker.
We’ve begun to build characters for our contemporary romance between Tovah, a rabbi, and Judah, a CEO of a multi-national corporation. The first thing to do is they must meet. The more unusual the meet, the better. Click to Tweet #amwriting #writingromance #donnalhsmith #PlottingtheRomance
It’s a radical concept. Generally, the middle is the hardest place to write through. I’ve already talked about keeping the middle from “sagging” in your story. But did I once ever discuss this radical concept I’m about to introduce? I don’t think so. It doesn’t matter whether you’re a plotter, a panster, or something in-between. This new approach will bring depth and richness to your manuscript. Click to Tweet #amwriting #writefromthemiddle
So, you think you want to write a romance? It’s a great genre. We all love fairy tales where the prince and the princess live happily ever after, right? That’s probably where romance got its start. A story with a happy ending, where guy meets girl. They get together. Live happy. Click to Tweet #amwriting #romancewriting101
What kinds of horrendous happenings can you throw in? Oftentimes, the middle gets bogged down because you’re slowly setting up for the climax, but the middle needs it’s own climax to keep it going. Disasters are great for keeping the middle moving. Weather, natural, or manmade disasters can spur on action and help develop depth of character. Click to Tweet #keepmiddlemoving #amwriting
A successful objective met in a scene for the character should still lead to more trouble. Let the character stew about a negative outcome from the last scene. What are the emotions? Click to Tweet #keepmiddlemoving #amwriting
Last time, we talked about one way to keep the middle of your story from stagnating. Action and reaction, and the protagonist’s goal or objective. A major incident occurring in the middle of your story keeps it moving. How does it affect the protagonist? Click to Tweet #keepmiddlemoving #amwriting