The last couple weeks we’ve been looking at plot patterns as outlined in James Scott Bell’s Plot & Structure. This week, we look at plot patterns of The Chase, and One Against/One Apart. Next week, we’ll wrap it up with Power and Allegory. #plotting #plotpatterns Click to Tweet
Today I’ll be using two resources to talk about plot patterns. One is James Scott Bell’s Plot & Structure. The other is DiAnn Mills’ Dance of Character & Plot. I’m using both, because even though what they say is similar, the way they say is different. Both perspectives can broaden your understanding of plotting. Click to Tweet #Plotpatterns #Plotting
Last time, I surveyed what plotting systems could work for a “pantser” or a “No Outline Person.” (NOP). I’m using James Scott Bell’s Plot & Structure. #amwriting #plotting systems #plotsystems. What are you—an OP or an NOP? Click to Tweet
Let’s take a look at the various plotting systems outliners or Outline Persons use, from index cards, to headlights, to the Borg.
In his book, Plot & Structure, James Scott Bell talks about two kinds of fiction writers: OPs and NOPs. To outline or not to outline, that is the question. #amwriting #tooutlineornot Bell encourages new fiction writers to try a little of both. Continue reading “Plotting Systems—Part I”
Last time, we talked about tension. Tension is the most necessary ingredient in any fiction you write. Click to tweet. Using Donald Maass’ The Fire in Fiction as a resource, we covered Tension in Dialogue, Tension in Action, and Tension in Exposition. Today, we’ll look at sprucing up low-tension scenes and avoiding the traps.
“Great plots have great characters. While this is not a book on character creation and implementation, we can’t let the subject of plot go without touching on at least one aspect of character work that is all important: character change.