In our romance we’re writing, we’ve sketched out the two main characters, Tovah and Judah. Tovah is a rabbi. Judah is the CEO of a multi-national family-owned corporation. The male POV in a romance escalates the romantic tension with the heroine. Click to Tweet #InsideHerosHead #donnalhsmith #almostanauthor #writingromance101
Contrary to popular belief, the male is the key to any romance. The female may be the “lead” character, but the male, and we’ve talked about the different types (alpha and beta) is the key to the romance. It’s also well-known that most readers of romance are women. Women identify with the heroine of the story. A woman who just wants to be loved like the hero loves the heroine. Click to Tweet #InsideHerosHead #almostanauthor #writingromance101
We’ve begun to build characters for our contemporary romance between Tovah, a rabbi, and Judah, a CEO of a multi-national corporation. The first thing to do is they must meet. The more unusual the meet, the better. Click to Tweet #amwriting #writingromance #donnalhsmith #PlottingtheRomance
Character interviews are an interesting way to bring out their personalities. Let’s do a short interview with Judah this time, and Tovah next time, and see what we come up with. Knowing the habits, quirks, and traits, physically and emotionally will bring your characters to life. In romance, your two protagonists must be relatable and likeable. Click to Tweet #amwriting #writingromance #donnalhsmith #CraftingtheRomanticHero
This week we conclude our series on Dazzling Dialogue. We could probably go on forever, and there are many resources you can look to make your written conversations sparkle and gleam. Six more Tools for Talk will make your dialogue sizzle and shine. Click to Tweet #DazzlingDialogue #amwriting
We’re gearing down our Dazzling Dialogue discussion. Six Tools for Talk will make your dialogue sizzle and shine. Click to Tweet #DazzlingDialogue #amwriting
Remember that the number one goal of scenes is to move the story along. You do that by creating conflict in your dialogue, as well as using action, and a bit exposition.