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Plotting 4 Pantsers — Part IX

Today, we’ll wrap up our series on Plotting 4 Pantsers, and for the rest of the year, we’ll reblog some things about plotting from a couple years ago. Make your story memorable by appealing to your readers’ emotions. #Plotting4Pantsers #StoryMemorability @donnalhsmith @a3writers TWEETABLE

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Plotting 4 Pantsers — Part VII

External character struggles revolve around character survival or solving a large problem. How will that problem be solved? That’s what the reader wants to know. #Plotting4Pantsers #ExternalCharacterStruggles #MeghansChoice @donnalhsmith @a3writers TWEETABLE

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Plotting 4 Pantsers — Part VII

They are the glue that unites the internal with the external. The internal deals with our feelings. External deals with our relationship with others. Interpersonal struggles are the “bridge” between internal and external struggles. #Plotting4Pantsers #InterpersonalCharacterStruggles @donnalhsmith @a3writers TWEETABLE

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Plotting 4 Pantsers — Part VI

Three kinds of struggles should come into play for your protagonist: Internal, Interpersonal, & External. Using all three makes your story richer without plotting a single scene. This week: Internal #Plotting4Pantsers #InternalCharacterStruggles @donnalhsmith @a3writers TWEETABLE

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Plotting 4 Pantsers — Part V

Choose from three types of story beginnings without plotting a single scene. The protagonist 1) has it all, but it’s taken away, 2) dangle what they most want in front of them, 3) make them face their greatest fear. #Plotting4Pantsers #StoryBeginnings @donnalhsmith @a3writers TWEETABLE

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Plotting 4 Pantsers—Part II

Last week, we talked about making promises to readers. Today, I’m going to talk about plot twists. Four elements must be present in any plot twist you write: inevitable, surprising, escalation, & expectation. #Plotting4Pantsers @donnalhsmith @a3writers TWEETABLE

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Plotting 4 Pantsers – Part I

There are “outliners” or “plotters” in fiction writing. And then, there are “pantsers.” Plotters/outliners write out the essence of every scene and chapter before they write the first sentence. Pantsers, on the other hand, may have anywhere from a general idea to an informal “outline” of a few plot points they’d like to have in […]

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Writing Your Story from the Middle––Part I

It’s a radical concept. Generally, the middle is the hardest place to write through. I’ve already talked about keeping the middle from “sagging” in your story. But did I once ever discuss this radical concept I’m about to introduce? I don’t think so. It doesn’t matter whether you’re a plotter, a panster, or something in-between. […]

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Keeping the Middle Moving––Part IV

What kinds of horrendous happenings can you throw in? Oftentimes, the middle gets bogged down because you’re slowly setting up for the climax, but the middle needs it’s own climax to keep it going. Disasters are great for keeping the middle moving. Weather, natural, or manmade disasters can spur on action and help develop depth […]

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Keeping the Middle Moving––Part I

You’ve heard of it––in more than one way. That awful, sagging, middle. In fiction, a sagging middle will bog down your story. Click to Tweet The reader may decide to stop reading. Not what you want. #keepmiddlemoving #amwriting

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