This week, I’m continuing my series on tips for novel synopsis formatting. Here’s the only place you can “tell” rather than “show.” Click to Tweet #amwriting #synopsis
This week, I’ll begin a series of posts based on this resource. Even though it’s six years old, it’s still a great place to start. Since I’m a fiction writer, I’ll deal with Chapter 5: Novels. I recently re-posted from February, the first article from this resource that discussed cover letters. Today, let’s talk synopsis. A synopsis provides the main storyline of your novel. Click to Tweet #amwriting #synopsis
Self-Editing for Fiction Writers
By Renni Browne & Dave King
I was recently in a small group of writers and we were discussing show and tell. Or should I say show vs. tell. The old way of writing was tell, describe, narrate. The new way of writing is scenes, show, illustrate with words. Show, don’t tell. Why? Click to Tweet #amwriting #showvtell #selfediting
The last few weeks we’ve been looking at plot patterns as outlined in James Scott Bell’s Plot & Structure. This week, we’ll wrap up plot systems with Power and Allegory. #plotting #plotpatterns Click to Tweet To access previous posts, click here.
Today I’ll be using two resources to talk about plot patterns. One is James Scott Bell’s Plot & Structure. The other is DiAnn Mills’ Dance of Character & Plot. I’m using both, because even though what they say is similar, the way they say is different. Both perspectives can broaden your understanding of plotting. Click to Tweet #Plotpatterns #Plotting
Last time, I surveyed what plotting systems could work for a “pantser” or a “No Outline Person.” (NOP). I’m using James Scott Bell’s Plot & Structure. #amwriting #plotting systems #plotsystems. What are you—an OP or an NOP? Click to Tweet
Let’s take a look at the various plotting systems outliners or Outline Persons use, from index cards, to headlights, to the Borg.
In his book, Plot & Structure, James Scott Bell talks about two kinds of fiction writers: OPs and NOPs. To outline or not to outline, that is the question. #amwriting #tooutlineornot Bell encourages new fiction writers to try a little of both. Continue reading “Plotting Systems—Part I”
Here’s a great way to start it out: “To initiate your story, your protagonist will either 1) lose something vital and try to regain it, 2) see something desirable and try to obtain it, or 3) experience something traumatic and try to overcome it.” Pg. 42.
There are three basic types of character struggles: internal, interpersonal, and external. Click to Tweet
A year ago, when I finished my Craftsman class with DiAnn Mills, she recommended I get a book entitled Story Trumps Structure, by Steven James. I finally ordered it last week. Its tagline is How to Write Unforgettable Fiction by Breaking the Rules. I haven’t read it all yet, but I’ve been skimming. This is a book for “pantsers,” those writers who hate the idea of plotting out every little scene and detail of their story. Because most of us “organic” writers know that even the best-laid plots of mice and men are sometimes changed while they’re being written. Click to tweet
This book is entirely different than any other book on writing I’ve ever seen. Today, I’ll focus on Chapter 11, “Promises: The Keys to Building Suspense and Satisfying Your Readers.”
The publishing world has changed in the last number of years. This book was originally published in 1997, but came out as a paperback in 2002. Publishing has changed a lot in twelve years, but there is still a lot to be gleaned from this book.
The subtitle is “Everything you need to know about queries, synopses, marketing, and breaking in.”